A week or so ago I shared Stephen Kingâs advice that great writers are voracious readers.
In particular, you should read great examples of the type of thing you want to write. Articles. Newsletters. Whatevs.
But Iâve discovered - especially recently - that reading is not enough.
You have to actually pay attention.
I know that sounds obvious, but I suspect most of us donât really. Not proper attention.
I certainly didnât.
Recently Iâve been reading Bird By Bird: Instructions on Writing and Life by Anne Lamott. I thoroughly recommend it by the way. Itâs one of the few books thatâs taught me useful information while making me laugh out loud.
Normally Iâd read a book like that and (sometimes) write down the points it made. Iâd appreciate the humour, remember it as an excellent book and wish I could write as well as Lamott does.
But this time I did something different. I donât know why, but for some reason I started actually paying attention.
Real attention.
Whenever I lolled, I stopped and thought about what made me laugh. I tried to deconstruct it to see what I found funny and whether I could do something similar in my writing.
And I took notes.
Sometimes it was about something I already knew about and perhaps should be using more - like the venerable comic triple.
But even if you didnât already know the technique you could easily figure it out - if you pay real attention.
Youâd ask yourself âwhy did I laugh at that?â and youâd answer âwell, itâs because she listed three things and the last one was comically different to the first twoâ. And you could then google âwhatâs the technique in comedy where you list three things but the last one is comically different?â.
Google would point you at a Wikipedia article on the rule of three, and a Medium article by Joe Garza on the comic triple. Which would then show you how to use it in your writing.
Other times you might not be able to find the name of the technique but youâd still be able to note what it was and think about how you could use it. Like Lamottâs tendency to interject her own neurotic inner dialogue into an otherwise serious piece of writing.
No idea what thatâs called, but when she does it I snigger.
It feels like listening to a scatterbrained friend trying to teach me something but getting distracted by her own thoughts and just splurting them out.
Of course, maybe youâre not looking to make your writing funnier.
Maybe youâre looking to be more persuasive. Or more authoritative. Or more empathetic.
(I think you should be trying to be funnier - but thatâs a topic for another day).
Whatever youâre trying to be more of with your writing, Use the same technique.
Read good examples of newsletters, articles and books vaguely related to your field. And whenever you come across something that persuades you or makes you feel like the author is an expert or that the author is someone just like you - start taking notes.
What was it about what they wrote that made you feel that way?
Is that something you could bring to your own writing?
Chances are you could. Thanks to the power of paying a bit of attention.
- Ian